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Sample text
The very act of prostration proves to be not only an expression of one’s urgent need for deliverance but . . ”36 Liberation in bhakti becomes a state in which the devotee might remain forever attached to Krishna’s feet—an impossible relationship if the devotee surrenders his or her individual identity. ”37 The child Krishna (Krishna-Gopal) who steals butter, rather than the immutable Krishna, best facilitates this relationship of attachment and separation. Krishna’s physical form encourages an immutable distinction between himself and devotees.
The tenth book of the Bhagavata Purana’s twelve books concerns the life of God as a child in Vrindavan and offers versions of the most familiar myths of Krishna’s childhood among the other Vrindavan villagers. In the tenth book, the baby Krishna demolishes a cart with a single kick, uproots trees as he crawls on the ground, and kills a number of assassin demons, such as Putana who offers the infant a poisoned breast from which to suckle. It is also in the tenth book that the child Krishna lifts Mount Govardhan on a single finger and dances on the head of the snake king Kaliya.
For a time, Olivier represents Hamlet, without being Hamlet in any ontological sense. Through the course of a performance of Swimming to Cambodia, an ur-Spalding Gray cannot appear whole and complete because of the limitations of time and space, but still finds temporary expression through a representation that looks an awful lot like that prefab building salesman in True Stories. But it would not be entirely accurate to suggest that Spalding Gray is not Spalding Gray during a performance of Swimming to Cambodia, nor is it entirely right to suggest that Olivier is not Hamlet to some degree.