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During this learn of the foreign smooth circulate in structure Alan Colquhoun explores the complicated motivations at the back of its innovative new type and assesses its triumphs and screw ups.
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Extra info for Modern Architecture (Oxford History of Art)
Sample text
The movement was triggered by the Senate Park Commission plan for Washington (the ‘Macmillan Plan’), which was exhibited in 1902. Both Burnham and Charles McKim (1847–1909) were on the commission, and they were responsible for the design, which envisaged the completion and extension of Pierre Charles L’Enfant’s plan of the 1790s. After this Burnham was asked to prepare many city plans, only a few of which—the plan for the centre of Cleveland, for example—were executed. The most spectacular of these was his plan for Chicago, prepared in collaboration with E.
Olbrich’s last house (he died of leukaemia in 1908, aged 41) is in the then newly popular Biedermeier revival style—with a Doric colonnade and a vernacular roof. Hoffmann’s brand of Biedermeier is lighter, and is art nouveau 1890‒1910 29 13 and 14 Joseph Maria Olbrich Two postcards, issued on the occasion of an exhibition at the Darmstadt artists’ colony in 1904, showing a group of Olbrich’s houses in the colony dating from between 1901 and 1904—suburban eclecticism raised to the level of artistic frenzy.
Peter Behrens Behrens began as a painter associated with the Munich Secession of 1893. He was a founding member of the Darmstadt artists’ colony where in 1901 he built the only house not designed by Olbrich (see page 30). His approach to art and architecture was deeply tinged with the Symbolism that characterized the German secessionist movements. His mystical leanings had already shown themselves when he collaborated in organizing a highly ritualistic inaugural ceremony at the Darmstadt colony with Georg Fuchs, one of the leaders of theatrical reform in Germany.