By Catherine Dee
Shape and upholstery in panorama structure offers an unique, visible method of the research of panorama structure through making a spatial morphology in keeping with use and adventure of landscapes. It explores aesthetic, spatial and experiential thoughts by way of delivering a constitution wherein landscapes should be understood and conceived in layout. 'Fabric' is the built-in constitution of complete landscapes, whereas 'form' refers back to the parts that make up this cloth. jointly shape and upholstery create a morphology of panorama helpful for the improvement of visual-spatial layout pondering and knowledge. This booklet is meant as either an creation to the self-discipline for college kids of panorama structure, structure and making plans, and a resource of continuous curiosity for more matured environmental designers.
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Form and fabric in landscape architecture: a visual introduction
Shape and upholstery in panorama structure presents an unique, visible method of the research of panorama structure by means of making a spatial morphology according to use and adventure of landscapes. It explores aesthetic, spatial and experiential techniques through supplying a constitution by which landscapes could be understood and conceived in layout.
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Extra info for Form and fabric in landscape architecture: a visual introduction
Example text
40 Form of spaces o Spaces Archetypes Archetypes can be described as similar forms or physical arrangements of human environments which have been repeated or copied over long periods of time and continue to perform the same types of functions. They are considered to be universal. For example, the amphitheatre may be described as an archetypal form because it has been consistently used for similar purposes over time in different contexts. Vernacular Vernacular refers to regionally distinct landscapes and landscape forms created by people who were not usually professional designers.
51 Spaces o Space relationships Contrast and similarity of spaces A landscape can be unified by repeating spaces of similar shape or size. Likewise, diversity in landscapes can be achieved through varying size or shape of spaces. The 52 designer must make judgements about how much diversity and unity are required and may seek to balance the two to avoid monotony or chaos. Space relationships o Spaces Space relationships – an example Hidcote Manor gardens provide a good example of effective spatial sequences using contrast and similarity of scale and proportion, axiality and perpendicular spatial arrangements.
To think of places as being composed of abstract planes which make three dimensional forms helps the designer to develop spatial awareness and the ability to ‘create with space’. Differing somewhat from the planes of most buildings, landscape 34 planes are often relatively complex, rugged and varied with a great deal of variation in horizontal and vertical surfaces. In topographic design, the ground plane may unobtrusively and subtly merge with a wall plane. ‘Wall’ planes may consist of vegetation that is coarsely textured and merges from the ground to an overhead ‘sky’ plane.