By Emmanuel Moses
'Großvater (grand-père) Kühlbrand faisait l'objet, non sans raison d'ailleurs, d'un véritable culte. Cet aïeul, médecin, était évoqué bien plus comme une determine de légende que comme une personne de chair et de sang et, tout bien considéré, il ne serait pas exagéré d'affirmer qu'il formait l. a. souche sur laquelle s'était développée los angeles chronique familiale et que l'auréole qui l'entourait rejaillissait sur ses descendants – en tous cas dans l'esprit de ma grand-mère – de même que, dans los angeles Bible, les actes d'un ancêtre se ressentent sur sa postérité jusqu'à los angeles millième génération.'
Emmanuel Moses est un écrivain français (poète, traducteur, romancier) né à Casablanca en 1959. Son enfance s'est déroulée à Paris. Ensuite – il avait neuf ans – ses mom and dad émigrent en Israël. Le futur écrivain y fait des études d’histoire. En 1986 il est de retour en France. Ses premières guides furent des poèmes, puis vinrent des romans. Il est également traducteur, notamment de l'hébreu moderne. Son père était le philosophe franco-israélien Stéphane Mosès. Il est l'arrière-petit-fils de l'écrivain allemand Heinrich Kurtzig (1865-1946).
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Sample text
A Voice Britain be happy, and rejoice, That when your Cibber dies The Gods have yet in store for thee, A Macklin; and in her you'll see Another Cibber rise. She performed a minuet with the dancer Leviez on her benefit night, a gracenote which became usual with her. The ballet master Noverre assisted her in her minuet. Maria remained one more season with Garrick and Drury Lane, a season in which she added to her repertoire the original Charlotte ("with Prologue") in her father's new farce Love àlaMode (which, wrote Cross, "went off very greatly"), the original Widow Bellmour in Arthur Murphy's "entertainment" The Way to Keep Him, Lady Harriot in a revival of The Funeral, Biddy in The Tender Husband, Clarinda in The Double Gallant, and, for Kitty Clive's benefit, some part unspecified in a new farce, Every Woman in Her Humour.
Maclelan was at Bath in 1753–54 and made his Norwich debut on 9 February 1756, according to the Norwich Mercury, and he apparently performed in that town until 1762. See M ACKLOUD. See M ACKLIN. See also M ACMAHON and M AHON. ], actor.
A copy in reverse was also issued. Published as a plate to London Magazine, 1773. A copy in reverse was also issued. A similar picture, probably also by Alcock, is in a private collection in New York. A copy, in another edition, was also issued. Wright, 1775. Yolland, 1790. 1775. Bell, 1785. De Loutherbourg. For the provenance and a detailed discussion of this painting and the Nos 29, 30, and 31, below, see Mander and Mitchenson, The Artist and the Theatre (1955). Engraving by John Smith, published in Robert Sayer's edition of Dramatic Characters, or Different Portraits of the English Stage.