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Extra info for Gothic Architecture and Scholasticism An Inquiry into the analogy of the arts, philosophy and religion in the Middle Ages
Sample text
Nicaise in Reims, had died in 1263, he was accorded the unheard-of honor of being immortalized in an him not only ilege previously most i). And shows clad in something like academic garb but also carrying a model of (fig. -Germain-des-Pres as ^* Doctor Lathomorum'': by 1267, architect himself had kind of Scholastic. 26 come it seems, the to be looked upon as a And Scholasticism III When asking in what manner the mental habit induced by Early and High Scholasticism may have affected the formation of Early and architecture, we shall High Gothic do well to disregard the notional content of the doctrine and to concentrate, to selves, ets in borrow upon a term from the schoolmen them- modus operandi.
And architects also began to conceive of the forms they shaped, not so solids as in The much in terms of isolated terms of a comprehensive ** picture space,'* although this **picture space*' constitutes itself in the beholder's eye instead of being pre- sented to him in a prefabricated projection. three-dimensional media, too, supply, as material for a pictorial experience. This all Late Gothic sculpture principle is not carried so —even if it is The were, true of the pictorial far as in Claus Sluter's 17 Gothic Architecture stagelike portal of Champmol, the typical fifteenth- century *'Schnitzaltar," or those trick figures that look up a spire or also true of ** down from and a balcony; it is Perpendicular'' architecture in Eng- land and of the new types of hall church and semi- church in the Germanic countries.
It sitter, as something individ- and nothing else," where earlier likenesses were, a Scotian ** indi- merely superimpose, haecceitas upon also applies to those new a still typified Andachtsbilder which are commonly associated with mysticism: 18 And Scholasticism the Pietd, St. John on the Man the Lord, the of Sorrows, Christ in the Winepress, etc. In their own way, pathy," * Bosom of as the such ** images for worship by em- term may be paraphrased, are no less 'naturalistic," often to the point of gruesomeness, than are the portraits, landscapes, and interiors which have been mentioned; and where the portraits, infinity landscapes, and interiors induce a sense of by making the beholder aware of the unend- ing variety and limitlessness of God's creation, the Andachtsbilder induce a sense of infinity by permit- ting the beholder to submerge his being in the boundlessness of the Creator Himself.