By Samuel R. Delany
In Shorter perspectives, Hugo and Nebula award-winning writer Samuel R. Delany brings his awesome highbrow powers to undergo on a variety of issues. no matter if he's exploring the deeply felt problems with identification, race, and sexuality, untangling the intricacies of literary thought, or the writing procedure itself, Delany is without doubt one of the so much lucid and insightful writers of our time. those essays cluster round subject matters on the topic of queer thought at the one hand, and at the different, questions about the paraliterary genres: technology fiction, pornography, comics, and extra. Readers new to Delany's paintings will locate this number of shorter items a particularly strong creation, whereas these already accustomed to his writing will take pleasure in having those essays among covers for the 1st time.
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Extra info for Shorter Views: Queer Thoughts & the Politics of the Paraliterary
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T h u s , the very first scene o f H a m l e t ' s father's ghost o h the battlements registers with B o h a n n a n ' s hearers nei ther as a frightening event n o r as an e m b l e m o f the supernatural simply to be a c c e p t e d — b u t as a narrative mistake. Obviously what she must m e a n , they explain, is that it is an o m e n sent by a witch. B e c a u s e if y o u see a d e a d person actually walking a r o u n d , y o u can b e pretty sure that's what it is. But as for its b e i n g the soul o f the dead, that's j u s t silly and ob viously, then, narrational error.
But the k n o w l e d g e obtained is still preferable to the alternative. T h e r e is, o f course, a n o t h e r discourse that p r o d u c e s its own rhetori cal array. " A n d the patient, possibly trying to think what h e or she was d o i n g sex ually six m o n t h s o r so a g o , possibly relying o n what h e or she already "knows," gives an answer. Logically, however, this c a n n o t be evidence in an attempt to find o u t h o w A I D S is transmitted, if only because it pre sumes the answer is already k n o w n to the question we are trying to learn the answer to.
A g a i n , that is precisely the information the structure o f the discourse that has prevailed u p till n o w m e a n s that we can never have with any real certainty a b o u t the past. A g a i n , that is w h a t discursive exclusions do. B u t I also asked my adult daughter, n o t too l o n g a g o , if she r e m e m bers ever w a n t i n g a penis. " N o , " she said, with some consideration. "But I certainly r e m e m b e r , w h e n I was four, w a n t i n g to urinate standing up. " A reasonable t h o u g h t for a four-year-old w h o , at three, c o u l d — a n d h a d w o n a contest by d o i n g so.