By Paul R. Laird
In 2004, the unique Broadway creation of depraved earned 10 Tony nominations, together with most sensible musical. in accordance with the best-selling novel through Gregory Maguire, the exhibit keeps to run on Broadway and has traveling businesses through the usa and worldwide. In depraved: A Musical Biography, writer Paul Laird explores the construction of this well known Broadway musical via an exam of draft scripts, interviews with significant figures, and the learn of fundamental musical resources reminiscent of sketches, drafts, and accomplished musical scores.
Laird brings jointly a magnificent quantity of element at the production of depraved, together with a glance at Maguire's novel, in addition to the unique resource fabric, The Wizard of oz.. This quantity additionally bargains a historical past of the show's genesis besides examinations of the draft eventualities and scripts that show the show's improvement. Laird additionally explores Stephen Schwartz's lifestyles and paintings, offering an research of the composer and lyricist's paintings at the express via track drafts, sketches, and musical examples.
Laird additionally surveys the show's severe reception in long island and London, noting what number critics didn't relish its features or count on its nice good fortune. the bizarre nature of Wicked's story—dominated via robust lady leads—is additionally put within the context of Broadway heritage. a special investigate a profitable Broadway creation, depraved: A Musical Biography may be of curiosity to musicologists, theatre students, scholars, and basic readers alike.
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Additional info for Wicked: A Musical Biography
Example text
But things didn’t proceed in the ordinary way. One of Sarah’s strongest attachments was to her little sister Régine, who from the start was a difficult child: stubborn, demanding, with a violent temper. She, too, suffered from Youle’s lack of affection—it was always and only Jeanne, the middle sister, whom Youle cared about. But Régine attached herself passionately to Sarah, who looked after her lovingly and would often let her tag along to the theater. Every year on Molière’s birthday the entire company came forward onto the stage to salute the bust of the great writer.
Zanetto would be Sarah’s first significant trouser role; the beautiful, womanly Agar would, of course, be Silvia. According to Sarah, she read Le Passant on her way home from the theater and turned back, finding Duquesnel just about to leave. ” “Oh, no, read it here at once! ” “No, no, your voice is treacherous. ” But he agreed to read it (to himself) on the spot, and when he finished he exclaimed, “It’s delicious. ” And they agreed to try it out at once, at a benefit performance, with scenery from a recent failure and costumes that Sarah and Agar would have to pay for themselves.
Germain—le gratin. Among his close friends: Degas and the Prince of Wales. In the 1860s he was famous for his worldliness and his success with women; today he is remembered only as Sarah’s lover and as the direct model for Proust’s Charles Swann. ) The letters that Sarah wrote to Haas at this time make it clear that he is the adored one, she the adorer. “I love you. I know perfectly well that you don’t return my love but please behave as though you did. Dear friend, come to me at three o’clock.