Vom Ornament zum Nationalkunstwerk: Zur Kunst- und by Michael Mönninger

By Michael Mönninger

Dr. Michael Mönninger arbeitete als Redakteur im Feuilleton der FAZ und in der Kulturredaktion des Spiegel. Er ist gegenwärtig Redakteur der Berliner Zeitung.

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Extra info for Vom Ornament zum Nationalkunstwerk: Zur Kunst- und Architekturtheorie Camillo Sittes

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102 In dies em Sinne hatte auch Joachim Ritter beschrieben, dag Landschaft als Vergegenwartigung von Natur im Element des Asthetischen erst in dem Moment der Entzweiung entsteht, als die Objektivierung, Verdinglichung und Nutzbarmachung der Natur durch die Wissenschaften so weit fortgeschritten ist, dag der empfindende Mensch einzig noch im Genug der Landschaft das Naturganze, in welcher kunstlerisch uberhohten Ausschnitthaftigkeit auch immer, aufzufassen vermag. 103 Zugleich spiegelt sich in Hoffmanns Wirkung auf Sitte die Annaherung von Wissenschaft und Kunst im 19.

Erstrebt wird von ihr urn jeden Preis allgemeine Verbluffung, und zwar durch ahnliche marktschreierische Mittel, wie sie in amerikanischen Riesenconcerten durch Kanonen und Dampforgeln vertreten sind. « 45 Merkwurdig die elitare Haltung, mit der der spatere Volkspadagoge Sitte den beim Yolk wie beim Kaiser beliebten Makart verhohnt und damit Kunstler wie Publikum zum »Pobel« wirft. Allerdings war die Makart-Verachtung im Bildungsburgertum verbreitet. Gutzkow nannte Makarts Bilder »Lampenschirme fur ein Pariser Hotel«, Schwind sah nichts als »geile« und »syphillitische« Farbeffekte.

12): »Dieses fesselnde Bild stellt eine altgriechische Stadt, etwa wie Mykene, vor, aus der nachsten Umgebung gesehen vorne die reich mit Monumenten besetze GraberstraBe bei interessanter perspektivisch auf das wirkungsvollste komponirter Windung in die Tiefe mit hohen Zypressen, zwischen welchen in harmonisch abgetonter Luftwirkung und hineinkomponirten Farbenkontrasten die Stadt mit ihren Mauern und Tempeln, die Berge, die weite Tiefe des merkwiirdig stylvoll entwickelten Terrains sichtbar wird.

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