By Norman S. Brommelle and Perry Smith, Editors
An in-depth exam of the a long way jap lacquerware referred to as urushi, this booklet considers the artwork old and clinical viewpoints and provides the priorities for urushi’s renovation and conservation. those are the complaints of the Urushi research workforce assembly held June 10–27, 1985, in Tokyo, Japan. desk of Contents Prologue Luis Monreal, Director, GCI Map Chronology heritage at the chinese language Kyushitsu strategy in response to a learn of Kyushoku-lOku files Hirokazu Arakawa concepts in Kodaiji Makie Motoo Yoshimura chinese language Guri Lacquers George Kuwayama Inro examine: a few Proposed destiny Steps Beatrix von Ragué Sano Chokan, The Urushi grasp, Studied via His paintings Akio Haino Heidatsu and Hyomon within the Nara interval Norimitsu Kimura Origins of using Urushi in Japan and Its improvement Yoshiyuki Kuraku Lacquerware within the Unified Silla interval, with designated connection with the reveals at Anapchi Jongseok Lee Urushi Coating and colour portray utilized to eastern Architectural Cultural Monuments Yoshio Hasegawa CONSERVATION and strategies the security of historical chinese language Lacquerware
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Wenwu 8:39. Shen, Zhongchang 1961 "Sichuan Deyang chutu de Songdai yinqi jianjian" (Brief report on the silver objects of the Song dynasty excavated at Deyang, Sichuan). Wenwu 1 1 :48-52, Fig. 6. Tokugawa Art Museum and Nezu Institute of Fine Arts 1 984 Carved Lacquer, No. . Tokyo National Museum 1977 Toyo no shikkikogei, No. 4 3 1 . 1978 Toyo no Shikki Kogei (Oriental lacquer arts commemorative catalog), No. 228. Whitfield, Roderick 1 985 The Art of Central Asia. Vol. 3. Tokyo: Kodansha International.
Kajikawa with square red seal "Kajikawa" (Schneeberger 1984:No. 56). In many of these different types we also find different writing styles (com pare Figs. 1 and 3) and different vase shapes. While many of the vases are roundish (Fig. I), others are rather slim or have more elongated handles (Fig. 4), some show a very different arrangement of the characters inside the vase (Fig. 5), and at least one red lacquer vase seal has three little loops at the bottom (private collection, Berlin, 26 von Rague Figure 1.
6. . David, Sir Percival 1971 Chinese Connoisseurship. New York: Praeger Publications. Gamer, Sir Harry 1979 Chinese Lacquer. London: Faber and Faber. Gugong bowuyuan 1985 " Gugong bowuyuan zang diaoqi" (Carved lacquer in the collection of the Palace Museum). Beijing: Wenwu Chuban She No. 269. Hebei sheng bowuguan, Hebei sheng wenguanzhu 1974 " Hebei Gaocheng Xian Taixicun Shangdai yidu 1 9 73 nian de zhongyao" (The Shang dynasty site at Taixicun, Gaocheng county, Hebei province). Wenwu No. 8:42-49, PI.