By René de Obaldia
« Interprété par les plus grands acteurs sur les scènes parisiennes et étrangères comme par de nombreuses troupes d’amateurs, joué aussi bien chez les sapeurs pompiers que dans les hôpitaux, les usines, les foyers ruraux, les prisons, les lycées, les maisons de l. a. tradition, les casernes, les salles des fêtes municipales, les cou-vents, que chez les malades mentaux ou à l’Elysée (Deux femmes pour un fantôme, comédie psychosomatique, fut représentée devant Georges Pompidou et les membres du Parlement), René de Obaldia, sans pour autant s’encombrer de théories, ne nous offre-t-il pas un théâtre populaire ?
Dans maintes anthologies et encyclopédies où il determine d’abondance, c’est toujours l. a. profonde singularité de l’auteur dramatique et du romancier qui est soulignée. Une œuvre qui compte parmi les plus originales et les plus savoureuses de notre temps ».
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In 1907, when he was most desperate for money, he sold dle last of his library, including a treasured letter from Robert Louis Stevenson. He suffered not only from his customary asthma and alcoholism but from bouts of cold and hunger and was on the verge of a complete nervous breakdown. At one point, he wrote to Julie dlat he was embarrassed that his sister and husband were paying all of Hesper's expenses. "3 Even though Julie had limited funds, in late autumn of 1905 they moved to a larger apartment at 5 Rue de Regard.
In February Richard published his novel The Worshipper of the Image. The story concerns a poet who lives in a lovely country house with his wife and children. He acquires a plaster mold of a suicide victim that bears an uncanny resemblance to his wife. The poet falls in love with the image and proceeds to neglect his wife, who eventually commits suicide. A rather morbid fantasy, the book detailed the author's continued mourning for his first wife. Julie was livid with the publication. A few weeks latel; Richard left Chiddingfold.
4 By the time the two men had met, WiJde was already a skilled connoisseur of likely-looking young men. His charm and mastery of language, as well as his rich, syrupy voice with its Irish intonations, could almost always bring a smile. As one of his biographers put it, he had become "consumed with his passion for moving swiftly from one to another of the boys he met .... Wilde was hypnotized not by any individual but by his conception of pleasure, of supermanship.... "5 Although most of Wilde's friends in London were homosexual, there is no clear evidence of a physical relationship between him and Richard.