By Renzo Piano & Hyatt Foundation
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Additional info for The Pritzker Architecture Prize 1998: Presented to Renzo Piano
Example text
It also, in my view, demonstrates the essence of what Piano is about. He was asked to design a museum in a low scale residential area in Houston that is not monumental and yet houses some of the finest works of art in the world. He was asked to avoid the neutrality of the usual modern gallery spaces. He was asked to provide changing “natural” light while ensuring that the works of art were appropriately protected, secure and conserved. His response was, with his engineer, Peter Rice to solve these challenges in such away that he designed a unique, beautiful and restrained museum.
Renzo Piano became famous at a relatively young age for an architect. He was only 35 when he won, with Richard Rogers, the competition in 1971 to build the Pompidou centre in Paris. One of his original ideas for the Centre had been to build a giant inverted pyramid but his clear belief in functionality and logic led him and Rogers to opt for the clarity of the giant rectangle of a city block. ” Interestingly Piano gets very annoyed if the Pompidou Centre is described as High Tech. Instead he sees it as a parody of the technological obsessions of our times.
Building is in Piano’s blood. He is the true scion of a male line of builders his grandfather, father and brother were all involved in construction as were his four uncles. He is also Italian — a member of that nation that brought Western architecture to utter maturity. ” But there was never any question of Piano drowning — (he is after all a good and practical Genoese sailor) but he is as interested in invention as in observing architectural convention. Piano’s Italian roots are very key in understanding his work.