By Jenny Uglow
Within the village of Wreay, close to Carlisle, stands the strangest and such a lot magical Victorian church in England. This bright, unique e-book tells the tale of its builder, Sarah Losh, strong-willed, passionate, and strange in each way.
Sarah Losh is a misplaced Romantic genius—an antiquarian, an architect, and a visionary. Born into an previous Cumbrian relatives, heiress to an business fortune, Losh mixed a zest for development with a love of the prior. within the church, her masterpiece, she enable her mind's eye flower—there are carvings of ammonites, scarabs, and poppies; an arrow pierces the wall as though shot from a bow; a tortoise-gargoyle launches itself into the air. And all over the place there are pinecones in stone. The church is a dramatic rendering of the facility of fantasy and the good ordinary cycles of lifestyles, demise, and rebirth.
Losh’s tale is additionally that of her radical relations, pals of Wordsworth and Coleridge; of the affection among sisters and the lifetime of a village; of the struggles of the weavers, the arriving of the railways, the findings of geology, and the destiny of a tender northern soldier within the First Afghan conflict. chiefly, it truly is in regards to the pleasure of creating and the ability of unsung neighborhood craftsmen. Intimate, engrossing, and relocating, The Pinecone, through Jenny Uglow, the Prize-winning writer of The Lunar males, brings to lifestyles a unprecedented girl, a zone, and an age.
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Additional resources for The Pinecone: The Story of Sarah Losh, Forgotten Romantic Heroine--Antiquarian, Architect, and Visionary
Example text
3 “Fünf Punkte einer neuen Architektur,” in Alfred Roth, Zwei Wohnhäuser von Le Corbusier und Pierre Jeanneret (Stuttgart: F. Wedekind & Co, 1927). 4 Bruno Reichlin, “the Pros and Cons of the Horizontal Window: The Perret-Le Corbusier Controversy,” Daidalos 13 (September 1984): 71–82. 5 Manuscript held in the Perret Archive, Institut Français d’Architecture, Paris. 6 Philip Johnson and Henry-Russell Hitchcock, The International Style: Architecture since 1922 (New York: W. W. Norton & Co, 1932): 40, 58, 72.
Le Corbusier’s maisons Jaoul in Neuilly (1954) and Sarabhai in Ahmedabad (1956) used concrete vaults supported by thick brick walls, in complete opposition to the image of the flying roof built for his chapel at Ronchamp. And Louis I. , Centre National des Industries et des Techniques, La Défense, 1958 Figure 20 Louis I. Kahn, Indian Institute of Management, Ahmedabad, 1967 Modern Architecture 31 Richards Laboratories in Philadelphia of 1961, relied for his Indian Institute of Management buildings, also in Ahmedabad (1967), on extremely limited tensile elements of concrete inserted into the brick walls of the scheme, acknowledging the current condition of the building industry in India.
7 Francis S. , 1928). 8 Sigfried Giedion, Building in France, Building in Iron, Building in Ferroconcrete, introduction by Sokratis Georgiadis, trans. J. : The Getty Center for the History of Art and the Humanities, 1995); originally published as Bauen in Frankreich, bauen in Eisen, bauen in Eisenbeton (Leipzig and Berlin: Klinkhardt und Biermann, 1928). 9 Le Ciment-roi: Réalisations architecturales récentes. Ossatures, formes, ornements (Paris: Librairie de La Construction moderne, 1927). 10 Cent ans de béton armé, 1849–1949 (Paris: Science et industrie, 1950), inside back cover.