The Iceman Cometh by Eugene O'Neill

By Eugene O'Neill

Eugene O'Neill was once the 1st American playwright to win the Nobel Prize in Literature. He accomplished The Iceman Cometh in 1939, yet he not on time construction until eventually after the battle, whilst it loved a protracted run of performances in 1946 after receiving combined experiences. 3 years after O'Neill's dying, Jason Robards starred in a Broadway revival that introduced new severe cognizance to O'Neill's darkest and such a lot nihilistic play. within the part century considering that, The Iceman Cometh has won greatly in stature, and plenty of critics now realize it as one of many maximum performs in American drama. The Iceman Cometh specializes in a bunch of alcoholics and misfits who without end speak about yet by no means act on their desires, and Hickey, the touring salesman made up our minds to strip them in their pipe goals.

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Just keep sorting them and something inside you will tell you where to put them. ’ ‘I am because I know. I’ve been through it, too. ’ I was moved by Bill’s sympathy and understanding. He was a wonderful man, deeply sincere and committed to helping these men. I returned eagerly each day to his lectures. He was teaching me the art of communication, and rereading these lectures after all this time I am astounded by the amount of information that the men were expected to absorb in three weeks. When it came to their vital test, the strain proved too much for many and they were unable to do themselves justice.

We were lucky to find the same gang two miles further down the line. In such faltering steps we started on the more exciting sequences of the film. The first was to be in the operations van. This contained the equipment to despatch the leather-pouched mail bags and receive them as the train continues its journey at sixty to seventy miles an hour. Quite an exciting process, visually. O. (Travelling Post Office), and there was no portable sound 26 Night Mail equipment in those far-off days. As there was considerable dialogue involved in the apparatus sequence we would have to trust to luck and put the voices on afterward—‘post-synching’, as it is called.

The simple fact is that we are all in each other’s debt. We must acknowledge it and pay it with respect and gratitude one to another. This is what we must get over. This is what documentary is all about. The compelling simplicity of such thinking was at the heart of Grierson’s mission. To inform: to open eyes to new perspectives, new ways of thinking about social problems. He was an extension of the Andrew Carnegie tradition and he applied it to the use of cinema. A well informed people was the first essential of a sound democracy.

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