By Stephen Harrison
Horace is with out query one of many extra vital writers in Latin literature, and it's unlucky, i think, that he's so seldom learn outdoors of scholarly circles. inside those circles, investigations and debates concerning his work--particularly Ars Poetica--have been ongoing for roughly four hundred years, and the quantity of considerable scholarship is impressive, albeit frequently conflicting. The Cambridge better half to Horace deals a vast assessment of a few of the more moderen views at the poet, and since all the entries are very short, it makes for simple studying. the matter, after all, is that not one of the entries meets the normal of great scholarship, even though they have been written by means of a few critical students. for this reason, someone with an curiosity in realizing extra approximately Horace past what one could stumble upon in an undergraduate survey direction will locate this publication missing. In his dialogue of Ars Poetica, for instance, Andrew Laird makes a lot of the meant impression of Neoptolemus, yet he doesn't trouble to ascertain a number of the stories, reminiscent of these through Jensen (1923) and Dahlman (1957) that challenged this intended effect. Nor does he discover the truth that poietes, poema, and poiesis have a protracted background, relationship at the very least to the 5th century BC and the paintings of Herodotus--a heritage that might make Neoptolemus beside the point if those subject matters certainly offer an organizational schema for Ars Poetica simply because they might be commonplaces within the Greco-Roman literary culture. the truth that the Cambridge better half can't function a scholarly textual content doesn't, notwithstanding, detract from its usefulness for undergraduates. Admittedly, there are few undergraduate survey classes nowadays that come with Horace, yet this article will be an invaluable adoption at any place they exist.
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Extra resources for The Cambridge Companion to Horace
Sample text
Iam Daedaleo ocior Icaro uisam gementis litora Bosphori Syrtisque Gaetulas canorus ales Hyperboreosque campos. Now already rough patches of skin settle on my legs; I am being changed into a white bird on top, and smooth feathers are growing from my fingers and shoulders. A tuneful bird, swifter than Daedalus’ son Icarus, I shall visit the 29 Cambridge Collections Online © Cambridge University Press, 2007 stephen harrison shores of the moaning Bosphorus, the Gaetulian Syrtes and the Hyperborean plains.
Koln and Daniel (2004a, b), M. L. West (2005)); but the Alcaean lyre emphatically takes over in 32. 15 Cf. Susanetti (1992) 183–4. 40 Cambridge Collections Online © Cambridge University Press, 2007 Horace and archaic Greek poetry have deliberately placed together poems on the same aspect or period of his life (so P. Oxy. 2165, or 2306 with 2734 fr. 6). g. scholion on fr. 114; P. Oxy. 2506 fr. 16 Poem 32 contrasts Alcaeus’ turbulent life with the narrator’s own inactive existence. This underlines both the slightness of implied narrative about the narrator, and the positive role of that slightness in characterisation.
You will be held in affection at Rome until your youthful beauty leaves you; when you begin to be soiled after fingering by the hands of the common mob, either you will go to feed the useless worms in silence, or you will run away to Utica or be sent bound to Ilerda. 20: the boy/book goes not to glamorous and romantic locations but as a runaway slave or chain-gang member to two marginal developing towns of North Africa and Spain, both growing under Augustus. 19–28): Cum tibi sol tepidus pluris admouerit auris, me libertino natum patre et in tenui re maiores pinnas nido extendisse loqueris, ut quantum generi demas, uirtutibus addas; me primis urbis belli placuisse domique, corporis exigui, praecanum, solibus aptum, irasci celerem, tamen ut placabilis essem.