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000-Einwohner Gemeinde provozie- Tageslicht tief in den Raum. Alle Aufmerksamkeit ren kann. Entsprechend wählten sie mit Glas und scheint hier auf die Wegflächen gerichtet. Diese grauen Faserzementplatten ein bewusst zurück- Dynamik reduziert sich in den Gängen zu den Klas- haltendes ’Alltagskleid’ für die Fassade, das aber senräumen durch eine Farbverschiebung zu einem einer stillen Eleganz nicht entbehrt. Rot auf den Böden und Wänden in hellem Grau. In Die Verlängerung eines Klassentrakts zur Straße den Klassen selbst kehrt sie sich um und kommt mit orientierte den Eingang gezielter zum Ortszent- strahlend weißen Wänden und grauen Böden sub- rum und gab dem von Anna Detzlhofer elysisch til zum Stillstand.
Sie gaben dem Stückwerk Charakter und matischen Sanierungsschritten mit einem klaren eine durchgängige Form und organisierten die ein- Farbkonzept eine effektive Aufwertung geschaf- zelnen Schultypen in identifizierbare Gebäude- fen. Der farbige Kunstharzfließbelag des Aula- teile. Dabei waren sie sich des Befremdens wohl bodens kontrastiert als rühriges Bewegungsfeld bewusst, das ein Gebäudekomplex mit 56 Klassen mit den anthrazitgrauen Wand- und Deckenflä- und Sonderunterrichtsräumen am äußersten Orts- chen.
Zementindustrie 2004 Bauwerk des Jahres in OÖ Bauherr l Client BIG Bundesimmobililenges. mbH Baukosten l Building Costs Á 11,5 Mio gestimmten Vorplatz eine entsprechende Fassung. Ein Birkenhain und ein Flugdach – Unterstand für 42 English artist Liam Gillick chose a text fragment by ture. Beneath a corridor of classrooms the visitor French sociologist Pierre Bourdieu and wrote it into delves into an assembly hall of generous propor- the building in both German and English. Just like tions, the inserted into the construction for the someone responding to an exam question, speak- visitor to experience the overall dimension when ing haltingly and thus alienating the answer, the ascending the wide staircase.