By Paul Middleton, Steven Gurevitz
This sensible tune know-how workbook permits scholars and lecturers to get the absolute best effects with the to be had apparatus. The workbook presents step by step actions for classroom-based and autonomous undertaking paintings, masking the talents and methods utilized in smooth track creation. All are concerning particular parts of the GCSE, AS/A2 and BTEC curricula. The actions are supplemented with uncomplicated strategies, tricks and pointers on concepts, productions abilities and method optimisation to provide scholars the absolute best likelihood of passing or bettering their grade.
The booklet is contains screenshots all through from a number of software program together with Cubasis, Cubase SX, good judgment and cause, although all actions are software program- and platform-independent.
* a different source adapted for Edexcel AS/A2 tune know-how and GCSE tune. additionally compatible for BTEC and different introductory courses.
* Designed as either a scholar advisor for venture paintings and self sufficient research and a time-saving source for academics.
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These programs offer many different ways to display and manipulate MIDI information and provide a convenient way to capture and store your musical ideas. Note: in order to use a computer and a MIDI sequencer you will need to have the relevant MIDI sequencing software installed before you start. In this chapter we will introduce you to some of the basic functions that you would normally expect to find in a MIDI sequencer. You may also find this chapter useful if you are planning to use a Digital Audio Workstation, as many functions that can be used to manipulate MIDI information can also be used to manipulate audio.
Additionally, you may find other parameters that may be adjusted from this window, such as a metronome or cycle on/off switch. The song’s tempo may also be visible from this window. This is usually displayed as a number and is normally set to 120 as default. This value can be increased or decreased to adjust the playback speed of the sequencer. 46 MIDI Sequencer Basics Fig. 6 – Transport controls. producer s ay s ᭤ Playing in time with the metronome Before you record any MIDI information into a sequencer you will need to set up the sequencer’s metronome so it will produce a click at the tempo you want to play at.
Generally, it’s best to assign each separate device or sound to a separate MIDI channel so that you can communicate with it independently. As there are 16 MIDI channels, this allows you to have up to 16 different instruments playing at the same time. 27 music technology workbook IN OUT THRU Transmit output channel IN OUT THRU IN OUT THRU Module A Module B Receive MIDI channel 1 Receive MIDI channel 2 Fig. 7 – Controller keyboard connected to two sound modules. In the example in Fig. 7, both sound modules will receive MIDI data from the keyboard as module A passes on the data via the MIDI Thru to module B.