By Johann Wolfgang von Goethe
Los mejores libros jamás escritos.
«Nada tenía y, sin embargo, tenía lo suficiente:
el afán de saber l. a. verdad y el placer por el engaño.»
Este poema dramático, inspirado en una leyenda medieval, narra los angeles historia de Fausto, sabio anciano que, en el ocaso de su existencia, establece un pacto con Mefistófeles, a quien entrega su alma a cambio de los angeles juventud. Las dos partes del Fausto, cuya escritura abarca toda l. a. vida creativa de Goethe, conforman un clásico inagotable de l. a. literatura common. En él, los angeles filosofía y el arte se dan l. a. mano para representar l. a. inquietud del hombre en busca del saber y l. a. belleza.
El presente volumen recupera l. a. fiel traducción en verso de Pedro Gálvez y l. a. empareja con el texto unique en alemán que Albrecht Schöne fijó para l. a. Deutscher Klassiker Verlag (Insel) y que ha sido considerado unánimemente su edición definitiva. Completan el tomo una exhaustiva e iluminadora introducción del editor y un apéndice con todos los escritos autobiográficos de Goethe, que atestiguan el extenso y laborioso proceso de escritura de l. a. obra, que va de los angeles década de 1760 a l. a. muerte del poeta en 1832.
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Additional resources for Fausto (Penguin Clásicos)
Example text
The Globe was a much smaller space. Also the audience area could only hold about 1,500 people. How did this new space change or dictate the plays? Well, a smaller space allowed the shows to be much more intimate. We could now deal with more quiet and subtle plot lines with a show. Fig. 7 Illustrated Old Globe Theatre, Shakespeare’s “home” theatre. 10 Where We’ve Been and Where We’re Going The Globe had a platform for the stage that was about half the size of the whole building. The stage had two levels for acting.
Absolutely not! Interesting Quote: It’s not Show Fun … it’s Show Business. —M. L. Geiger My goal has always been to do the best work I can, every single time. If I am happy with my work, then I can only assume that someone will eventually see it and agree with me. This is how I started out my career, how I continued my career, and how my career has gotten to where it is today. Keep in mind that every production should be a learning experience as well. I don’t say that because this is a textbook and you are a student.
Once you have done your research and before you start making choices you must consider the style decided on in the first meeting. The style, together with your research, will help you choose the right direction in which to move forward. You should be starting to form ideas now for your design. You might even be doing rough sketches. At this point, let’s talk for a minute about audiences. After all it is an audience who actually pays to see our work. Andy Warfel has some interesting thoughts on audiences: Disregarding the audience’s expectations (or failing to research what those expectations might be), is basically disregarding the audience.