By Horst Frenz, Susan Tuck
O’Neill’s performs were translated into essentially all significant languages and feature got impressive performances in lots of international locations. His impression has been such that for the reason that 1922, according to Tuck, “there has been an outpouring of opinions in regards to the guy, his experimental paintings, his common characteristics, his philosophical probings, his language, his dramatic strategy, and his forerunners within the theater, American in addition to foreign.” As those 30 essays point out, O’Neill was once really a world determine, stirring remark from all elements of the world.
O’Neill’s inventory rose significantly in 1936 while he bought the Nobel Prize. His choice used to be applauded in Scandinavia because it proven the evaluations of his paintings held in Sweden, Denmark, and Finland. The Nobel Prize additionally triggered the critics of France to reevaluate his paintings, this time even more favorably. Summing up, Tuck notes that the “articles during this anthology mirror actual makes an attempt to give O’Neill as faithfully as possible through the global. O’Neill’s performs are not,” she observes, “for anybody time or anyone position, as indicated by means of the years the essays span (1922–80) and the variety of international locations they signify [17 in all].”
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Extra info for Eugene O'Neill's Critics: Voiced from Abroad
Sample text
There is a certain form of extempore prayer, which invariably begins with the statement, "Lord, Thou knowest. . ," and then proceeds at great length to tell the Almighty what He does not know. In much the same way Mr. O'Neill opens his play by placing his two principal charactersbrotherssitting on a fence and makes them tell each other events perfectly well known to both, plans for the future equally well known, and a summary of each other's character. Robert assures Andrew ''You remember . .
The novice in playwriting almost invariably begins his play with this sort of scene of explanation, but it is incredible that a playwright of Mr. O'Neill's experience should do it. Far better to go back frankly to the old method and convey this information on the program. Other crudities occur all through the play, and Andrew is made to tell the story of his life twice in one act. The play gives the impression of great length. I foresaw everything that happened pages before the event. Is it very early work?
The remarkable record of international O'Neill productions during a period of six decades proves that the opinion of this last group prevailed. O'Neill's popularity is indicated, too, by the staggering number of translations that have been made of his plays and by the numerous books and articles, written by foreign scholars, devoted to the playwright. The bibliography, though highly selective, nevertheless reflects the world-wide attention the American dramatist has commanded. The foreign reception of his dramas proves that, for the most part, O'Neill speaks a language that is truly universal.