By Stephanie Pui-Mun Law
Breathe lifestyles Into Your fable Worlds!
Heroes and heroines search their fortunes in mysterious forests. Towering castles are outfitted into the perimeters of mountains. Dragons and fairies start throughout the sky and one of the stars. And bestselling writer Stephanie Pui-Mun legislations is the following to steer you, step by step, during the technique of developing the forests, mountains, skies, stars and vistas within which those grand delusion adventures occur.
- persist with besides tips, suggestions and 20 step by step demonstrations to create the darkish shadows of an enchanted woodland, the twisting branches of an Elven domestic, the sparkling gentle of a magic portal and more!
- From easy watercolor concepts to appealing comprehensive items, find out how to choose the perfect paper and instruments, find out how to paint many alternative watercolor results and the way to place all of it jointly to carry your delusion settings to life.
- Get encouraged via Stephanies signature sort and lovely pictures. think the tales at the back of every bit, then create your individual!
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Extra resources for Dreamscapes Fantasy Worlds Create Engaging Scenes and Landscapes in Watercolor
Example text
M AT E R I A L S L I S T Surface cold-pressed illustration board Brushes nos. 0, 1, 2 and 4 rounds, ½-inch (12mm) flat Watercolors Alizarin Crimson, Burnt Umber, Naples Yellow, Payne’s Gray, Prussian Blue, Raw Umber, Ultramarine Blue, Ultramarine Violet Other paper towel, rubbing alcohol, salt, sea salt, white gel pen 1 Sky Start with a very light wash in the sky, using Naples Yellow with a no. 4 round around the figure. Blend outwards into the surrounding area by diluting with water and dabbing away the excess with a paper towel.
For example, here are a couple of thumbnails using Fish, Tower, Staircase. You can play around with the size of the various components, their placement or even the proportions of the paper. Don’t let your composition be limited by an 81⁄2 × 11- inch (22cm × 28cm) standard piece of paper. Let the composition dictate the shape of the piece. Make your own list of random elements and see what ideas you come up with in your thumbnails. These were various thumbnail sketches scribbled into my sketchbook.
Light and shadow—that is what defines everything you see. Edges of an object really are just where light is bouncing, and darkness is the absence of light. Remember this and try not to paint lines and things, but instead places where light meets surface. Bringing It All Together Don’t let yourself be limited to one of these techniques. You can apply a single one to your painting or any two or even all four. Even within the examples that we’ve examined on these pages, we’ve discussed only one form of contrast on each painting, but in reality they all incorporate combinations of these techniques.