By 50 minutes, Éliane Reynold de Seresin
Décryptez l’art d'Andrea Mantegna en moins d’une heure !
Représentant majeur du Quattrocento, Andrea Mantegna est sollicité par les plus grands de son époque, mais c’est à l’illustre famille Gonzague qu’il finit par s’attacher. C’est à leur gloire qu’il réalisera l’un de ses plus grands chefs-d’œuvre, los angeles Camera picta. Combinant l'inspiration vintage aux avancées majeures de son temps et poussant toujours plus loin sa recherche de réalisme, Mantegna surprend par sa modernité.
Ce livre vous permettra d’en savoir plus sur :
- Le contexte politique et culturel dans lequel Andrea Mantegna s’inscrit
- l. a. vie de l'artiste et son parcours
- Les caractéristiques et spécificités de son art
- Une sélection d’œuvres-clés de Mantegna
- Son effect dans l’histoire de l’art
Le mot de l’éditeur :
« Dans ce numéro de l. a. série "50MINUTES | Artistes", Eliane Reynold de Seresin se penche sur le destin d'Andrea Mantegna. Après un portrait complet de l'homme, c'est à l'artiste que l'auteure s'intéresse. Son goût de l'antique, l. a. précision de son trait, son obsession du détail, ses vues en contre-plongée... tous les ingrédients de son paintings sont analysés en détail, photos à l'appui. Dans ce numéro, à côté de l. a. célèbre Chambre des époux, nous analysons également le Saint Sébastien du Louvre et l. a. Lamentation sur le Christ mort, deux œuvres particulièrement emblématiques du peintre. » Stéphanie Felten
À PROPOS DE l. a. SÉRIE 50MINUTES | Artistes
La série « Artistes » de los angeles assortment « 50MINUTES » aborde plus de cinquante artistes qui ont profondément marqué l’histoire de l’art, du Moyen Âge à nos jours. Chaque livre a été conçu à los angeles fois pour les passionnés d’art et pour les amateurs curieux d’en savoir davantage en peu de temps. Nos auteurs analysent avec précision les œuvres des plus grands artistes tout en laissant position à toutes les interprétations.
Read or Download Andrea Mantegna, le roi de l'illusion: Entre inspiration antique et passion du progrès (Artistes, numéro 49) PDF
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Extra resources for Andrea Mantegna, le roi de l'illusion: Entre inspiration antique et passion du progrès (Artistes, numéro 49)
Example text
Then I began to layer Step 4 the other colors, almost like glazing with watercolors. This is very obvious in the plants, upper left. You can see that the original color was green; over that was added a layer of light, blue strokes. Although 1 was building toward final colors. was more concerned at this stage with establishing form and value. Notice that all four women s clothes were painted with violet, blue, the I same and ochres. I had begun to indicate highlights from the windows by marking edges with a very light umber.
Work on large sheets of heavy Morillo pastel paper of a middle tone or black. do the initial drawing with Othello pastel pencils for a fine line; this is a simple outline drawing to show gesture and accurate contours. Next block in my main areas of color with loose parallel strokes. use Grumbacher. Sennelier, I I 1 I 1 I 1 I and Rembrandt pastels. usually start with only a few colors of different values so that as place my color, also begin to establish lights and darks. In I I 1 might use a light ochre for skin, a violet middle tones, and a deeper purple for the darks.
I wanted reverie, the quiet time before the noise of the day begins. "I try to lay down only one layer of paint. a few places do I have to overpaint. I an area I know can finish in a day and then working and Onlv in usually start a day by picking I finishing that area. In this painting the only I had to overpaint were the skin areas and the porch screen, which needed a light parts glaze over the outside landscape to give the effect of a screen. PHOTOGRAPHS OF DETAILS Prior used these photographs to develop de- the ftgure and the background Hi works out all of the details in the drawing before he begins to paint.