By Professor Philip H Highfill Jr PhD, Professor Kalman A Burnim PhD, Edward A. Langhans
Just like the works already released, those most up-to-date volumes of the Biographical Dictionary care for theatre humans of each ilk, starting from dressers and one-performance actors to trumpeter John Shore (inventor of the tuning fork) and the incomparable Sarah Siddons.Also well known is Susanna Rowson, a novelist, actress, and early girl playwright. even though born right into a British army relatives, Rowson frequently wrote performs that handled patriotic American topics and spent a lot of her profession at the American stage.The theatrical jewel of those volumes is the "divine Sarah" Siddons: "She raised the tragedy to the skies," wrote William Hazlitt, and "embodied to our mind's eye the fables of mythology, of the heroic and dignified mortals of elder time." She persisted a lot tragedy herself, together with a crippling debilitating disorder and the deaths of 5 of her seven kids. Siddons performed significant roles in either comedy and tragedy, now not the least of which used to be a functionality as Hamlet.
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Extra resources for A Biographical Dictionary of Actors, Volume 14, S. Siddons to Thynne: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800
Example text
She did agree to accept £20 instead of her customary £30 for such service. She became ill, however, and there was one delay after another of Brereton's benefit, until, according to Brereton, it became impossible for her to play at all. " Sarah was scheduled to act at Cork and Belfast, but could meet only the Cork engagement. " The same newspaper (1014 September 1784) claimed that by "a modest calculation," Mrs Siddons had cleared 3000 guineas for her summer excursion1500 guineas from Edinburgh, the same amount from Dublin, and £500 from Cork to cover expenses.
After playing several other familiar characters she essayed her first Shake-spearean role in London, Isabella in Measure for Measure, on 3 November 1783 (a part she had played at Bath on 11 December 1779), and turned the moral, intellectual, and passionless character into a brilliant success. That October she had visited Samuel Johnson, who wrote to Mrs Thrale on the twenty-seventh: Mrs Siddons behaved with great modesty and propriety, and left nothing behind her to be censured or despised. Neither praise nor money, two powerful corruptions of mankind, seem to have depraved her.
4d. imposed on this occasion. ) In her first full season at Drury Lane she performed some 80 times. In January 1783 the King and queen came to see her act Euphrasia on the second, Belvidera on the ninth, Calista on the twentieth, Jane Shore on the twenty-third, and Isabella on the twenty-eighth, a flurry of playgoing for the monarch theretofore unprecedented. Sarah was also instrumental in introducing London audiences to her sister Frances Kemble (later Mrs Twiss) on 6 January 1783 as Alicia to her Jane Shore.