By Rachel Berenson Perry
Heavily linked to artists corresponding to T. C. Steele and J. Ottis Adams, William J. Forsyth studied on the Royal Academy in Munich then again domestic to color what he knew best—the Indiana panorama. It proved a profitable topic. His work have been exhibited nationally and got significant awards. With full-color reproductions of Forsyth’s most crucial work and formerly unpublished images of the artist and his paintings, this publication showcases Forsyth’s fearless experiments with creative types and matters. Drawing on his own letters and different resources, Rachel Berenson Perry discusses Forsyth and his paintings and provides interesting insights into his character, his relationships together with his scholars, and his lifelong devotion to educating and teaching the general public concerning the value of paintings.
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Extra info for William J. Forsyth: The Life and Work of an Indiana Artist
Sample text
Her father, Donald, supported her youthful ambitions and gave her a set of oil paints; her first oil painting was a fanciful reverie of a boy on a log playing with his sailboat. Drawn completely from her imagination, the setting is bucolic and shows a red barn, lotus blossoms, and a pond like those that surrounded her family home. Her first sale came as an eighth-grader. While visiting relatives in the resort town of Sea Girt, New Jersey, Whyte did a pen-and-ink sketch of a local inn. Her aunt presented the drawing to the innkeeper, negotiating a price of twenty dollars, which delighted the teenager.
Some works take time to evolve. Like small seeds the paintings might not come to fruition until several years later, after there has been ample time for germination. To my mind watercolor is the only medium that matches the speed and the nebulousness of these stories as they unfold. ” Little Love, 2004 Watercolor on paper, 22 x 24 inches Private collection 42 Rooster, 2010 Watercolor on paper, 20 3/4 x 20 3/4 inches Private collection 43 Steam Iron, 2002 Watercolor on paper, 27 3/4 x 20 3/4 inches Collection of the Greenville County Museum of Art 44 Persimmon, 2012 Watercolor on paper, 40 3/4 x 28 3/4 inches Collection of the artist 45 Abyss, 2009 Watercolor on paper, 30 3/4 x 23 1/4 inches Private collection 46 Ferry, 2008 Watercolor, 8 3/4 x 10 inches Private collection 47 A Lady Bug’s View of the World, 1970 Oil on canvas, 17 x 23 3/4 inches Private collection 48 M ary Whyte grew up in rural Bainbridge, Ohio, about twenty-five miles east of Cleveland, her actual birthplace in 1953.
She later acknowledged that she probably sold only one of these early endeavors, but she learned a lifelong lesson. “I started painting people in watercolor when I was in high school. My first attempts were predictably muddy and overworked, but I was enthralled with both the power and delicacy of the medium. At the time I had no intention of being a portrait painter, but after I graduated from art school folks began asking me for paintings of their families. I soon discovered that I truly love painting people, and if someone was actually going to pay me to paint them, what could be better?