Waiting (Academic Monographs) by Ghassan Hage

By Ghassan Hage

During this wealthy and insightful selection of essays, major anthropologist Ghassan Hage brings jointly teachers throughout political technological know-how, philosophy, anthropology and sociology for an exam into the adventure of ready. what's it to attend? What can we look forward to? and the way is ready hooked up to the social worlds within which we live?
From Beckett's darkly comedian play Waiting for Godot, to the perpetual ready of refugees to come back domestic or to moments of extreme anticipation resembling falling in love or the beginning of a child, there are numerous ways that we wait. This compelling selection of essays means that this adventure is without doubt one of the crucial stipulations that make us human and fasten us to others.

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This circularity was expressed, for example, in the great Axial Age religions and philosophies as well as in North American Indian gift exchanges. Waiting for the future was predetermined by these cosmological-circular times of birth, death, an afterlife, or ancestral time. In the context of circular time, we waited for fate, that is, determination, or alternatively the intercession of magic or prophesy in order to break or confirm this circle of determination. 1 Once the modern conception of time was no longer reliant on these religious and cosmological points of orientation, it became linear and dynamic, pushing beyond the present into a secular and uncertain future.

Time was the vehicle for this circulation of the value of indebtedness and it carried this value between past, present and future, thus linking them together. This circularity was expressed, for example, in the great Axial Age religions and philosophies as well as in North American Indian gift exchanges. Waiting for the future was predetermined by these cosmological-circular times of birth, death, an afterlife, or ancestral time. In the context of circular time, we waited for fate, that is, determination, or alternatively the intercession of magic or prophesy in order to break or confirm this circle of determination.

Apart from this cultural resource, all they have are the rhythms and routines of their bodies in space and time and the denuded nature that confronts them. Hence everything is uncertain; time, place and selfidentity are forever dissolving. While they wait for Godot the language games they play draw upon this mess and its impoverished resources. They negotiate ‘the mess’ as best they can. As Beckett put it in his interview with Driver: We cannot listen to a conversation for five minutes without being acutely aware of the confusion.

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