By Murray Bail
The Voyage is a masterly novel via a very good author on the height of his powers.
Frank Delage, piano producer from Sydney, travels to Vienna, a urban immersed in tune, to give the Delage live performance grand. He hopes to provoke with its technical precision, its development at the previous pianos of Europe.
How might he now not be aware of his piano is all flawed for Vienna? probably he must have attempted Berlin.
But an opportunity assembly with Amalia von Schalla brings new percentages for Delage - connections, her daughter Elisabeth, and an avant garde composer. Now vacationing domestic, on a box send, with Elisabeth, the true tale is set to begin.
Murray Bail was once born in Adelaide in 1941. He has gained various awards, together with the Commonwealth Writers Prize and the Miles Franklin Literary Award for Eucalyptus. His most up-to-date novel, The Pages, was once released in 2008 to nice acclaim.
'There's a lightness to Bail's writing - a steady stealth in its revelations - that slowly yet without doubt brings the reader alive...One of Australia's most unusual and inventive writers.' Canberra Times
'The Voyage is indirect, idiosyncratic and unique. To learn it's to respire the rarefied air of an inventive recognition, nostalgic for literary modernism. Bail deploys the structural integrity of the adventure, comparable to the one day in Virginia Woolf's Mrs Dalloway and James Joyce's Ulysses, to permit the disordered encroachment of the prior at the current, and to allow a slippery, subjective therapy of time. it is a novel that calls for your complete cognizance, discoursing in an unbuttoned, Joycean style, forthcoming a kind of textual jouissance.' Weekend Australian
'[The Voyage] is a lustrous piece of fiction, regularly remarkable and illuminating, filled with mirrors and illusions, yet with the abiding face of actual feeling and deep fact. We won't see a finer piece of fiction within the longest while.' Age
'A fantastic achievement.' Australian publication Review
'Here sits yet one more stylish and most tasty piece of labor from the ordered mind's eye of Murray Bail...a sleek and unfenced read.' Courier Mail/Daily Telegraph
'Murray Bail's masterful novel is largely a section of tune; and prefer all strong tune, even though we all know the plot from the beginning, it by no means fails to shock us...Brilliant.' West Australian
'This is an outstanding, defiant little ebook. although concise in scale, it really is drastically thought-provoking...If ever a singular should be stated to exceed the sum of its many sensations, this masterful concoction engages, excites and perturbs with singular virtuosity.' Irish Times
'A new novel unencumber from Murray Bail is often helpful of have a good time. Few writers at any place on the earth can fit the esteemed Australian for stylistic daring.' Irish Examiner
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Extra resources for The Voyage
Sample text
Kings, by virtue of their many counsellors and the special trappings and rituals of kingship, were expected to be wise and sagacious. Many ancient Near Eastern collections of proverbial sayings purport to be the teachings of a king or other notable to his son or successor. The biblical Proverbs are the 'wisdom of King Solomon' addressed to his son, and the wise author of the book of Ecclesiastes introduces himself as 'the son of Da vid, king over Israel in Jerusalem'. Several such compositions survive from ancient Egypt, the best known perhaps being the 'Instructions of Amen-em-Opet'.
In comparison with those who had dug there before him, Smith brought home only a very small number of tablets - the 'DT' collection - from this, his first expedition, but there among them was indeed a fragment of the Flood, one that even filled an important gap in the narrative. This was a most impressive fulfilment of the Daily Telegraph's expectations, but the expedition was a victim of its own success. The desired fragment so exactly met the newspaper's requirements that the news of its discovery led to the expedition's early recall.
Small wonder, then, that mankind could be wayward. Uta-napishti tells his wife in Tablet XI, 'Man is deceitful, he will deceive you', and Gilgamesh duly confirms this unpalatable aspect of human nature by lying to him. The innately rebellious and unruly nature of man encapsulated in this myth of his creation also informs one tradition about early human history, first found in several Sumerian literary compositions, that in the beginning the human race roamed the land like the beasts of the field, naked but hairy, and for sustenance grazing on grass.