By Sir James Galway
The the world over acclaimed, greatly cherished flutist displays on his storied careerSir James Galway is without doubt one of the best musicians of our time, with a stunning profession that has spanned 5 a long time and plenty of genres of track. Now he celebrates his 70th birthday with a glance again on his fabulous occupation, in which he has traveled world wide again and again over and made numerous associates, together with legends from the worlds of classical and renowned track. He displays at the demanding situations he confronted coming from the poverty of working-class Belfast and making the choice to head solo as a flutist, in addition to the triumphs as he made his strategy to the pinnacle of his profession.Offers an extraordinary, own glimpse on the lifetime of a latest musical grasp whose paintings has ranged around the musical spectrum with collaborators as various because the Berlin Philharmonic, the Chieftains, John Denver, and crimson FloydIncludes pleasant tales from Galway's occupation of greater than fifty yearsShares the demanding situations of traveling and of melding private and non-private lifeBy turns witty and informative, enticing and encouraging, the fellow with the Golden Flute is a charming learn for fanatics of Galway and his tune.
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Extra resources for The Man with the Golden Flute: Sir James, a Celtic Minstrel
Example text
The Wigmore Ensemble played the Debussy Trio for Flute, Viola, and Harp and Beethoven’s Serenade in D for Flute, Violin, and Viola. All the players were excellent, but Gilbert was something else. I was especially struck by how beautifully and softly he played the high notes—which, as I’ve mentioned, is one of the harder things to do on the flute. The entire evening was simply exalting. 33 the man with the golden flute On top of that, Gilbert and Muriel had stayed in touch, and she had told him about me.
37 2 INTO THE W ID E R WORLD 39 G oing to london was a real adventure for the fifteen-year-old me. In retrospect, it seems amazing that my parents would let me do this unaccompanied, but I suppose they thought nothing much could go wrong on the voyage, and in fact nothing did. I had my little suitcase with my flute in it and what few clothes I owned, and I boarded the ferryboat right in Belfast for the trip to Heysham. That was a really rough ride, as it often is. I stopped taking the ferry a long time age, once I could afford to fly, but, of course, flying was out of the question for me in those days.
I replied. ” And so, painful as it was to break the news to John and Millicent, who had been kinder to me than I can say, that’s what I did. After three years with them, I left their beautiful house and went home to Belfast, where Douglas Dawn helped me get my scholarship grant transferred from the Royal College to the Guildhall. When I returned to London, the first thing I needed to do was find a place to live. A friend of mine, Robert Dawes, who played the 49 the man with the golden flute flute with the BBC Concert Orchestra, was also looking for a flat, and we teamed up and found one in Notting Hill—about as far removed from St.