
By Richard Hunter
Of ladies, ascribed to Hesiod, one of many maximum figures of early hexameter poetry, maps the Greek international, its evolution and its heroic myths in the course of the mortal girls who bore childrens to the gods. during this assortment a crew of foreign students deals an try and discover the poem's which means, importance and reception. person chapters learn the association and constitution of the poem, its social and political context, its relation to different early epic and Hesiodic poetry, its position within the improvement of a pan-Hellenic awareness, and attitudes to girls. the broader effect of is taken into account in chapters on Pindar and the lyric culture, on Hellenistic poetry, and at the poem's reception at Rome. This assortment presents an important method of the learn of undefined.
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Additional info for The Hesiodic Catalogue of Women: Constructions and Reconstructions
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On the catalogue of the suitors, see Cingano (this volume), West 1985a: 114–21. Heilinger 1983: 19–34 doubts that the fragment comes from the end of the Catalogue, and believes that vv. 95ff. have nothing to do with what precedes. That would, of course, simplify our lives. The eris dividing the gods could be either the cause or effect of Zeus’s plan (cf. Marg 1970: 516), but I think the explanatory gr suggests the latter. 30 jenny strauss cl ay (vv. 99–100). In early Greek poetry, the term hemitheoi always seems to convey not only their hybrid nature, but also a distancing perspective on the heroes that assigns them to a bygone era.
8 These points tend to be underappreciated by scholarship on the poem, in which the fragmentary state of such a manifestly elaborate geneaological structure provides substantial and understandable distractions; but these points are crucial to exploring the social and political implications of the whole poem, and a potential performance context of, at least, the ehoie element of the Catalogue. Two aspects of the proem, confirmed by the ensuing poem, suggest a strong intertextuality with sympotic culture, as I will demonstrate more fully in the sections to follow.
Cf. Mayer 1996: 1–15, who sees both Achilles and Helen as Zeus’s instruments for bringing eris to mankind. This is interesting in the light of Hesiod’s teaching about eris in the Works and Days. With, of course, the exception of Achilles mentioned at the end of the list (87–9), who was too young to participate. On the catalogue of the suitors, see Cingano (this volume), West 1985a: 114–21. Heilinger 1983: 19–34 doubts that the fragment comes from the end of the Catalogue, and believes that vv. 95ff.