By Fredric Sweney
Hundreds of thousands of years after guy first recorded his impressions of animals on cave partitions, artists are nonetheless trying to reproduce photographs of those awfully various creatures of land, sea, and air. This booklet through an award-winning artist is designed to assist painters in any respect ability degrees to attract and paint natural world with precision and accuracy.
Award-winning artist Fredric Sweney starts off by utilizing the pony because the foundation for realizing the actual constitution of animals, whereas the wild duck serves because the version for the configuration, wing building, and flight features of birds. greater than 260 illustrations, in addition to step by step information, make it more straightforward and extra stress-free than ever to color a Noah's Ark of canines, cats, oxen, deer, bears, birds, goats, and extra unique animals--in each dimension and form.
An helpful consultant to zoological anatomy, excellent for newbies in addition to complex artists, this whole, functional reference also will function a good source for resolving ordinary difficulties of inventive composition.
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Extra info for The Art of Painting and Drawing Animals (Dover Art Instruction)
Sample text
Place soft clouds in the lower sky area with warm white mix. Brighten some of the cloud tops with thicker white paint, then gently mop to soften the edges. Step 2: Block in Distant Tree Line With a no. 12 badger flat, brush-mix a cool gray-green using the medium green mix, peach and a speck of Cobalt Blue. Block in the most distant trees, using a very lean amount of paint and keeping texture to a minimum. Switch to a no. 6 badger filbert and detail the tops of trees where they are silhouetted against the sky and clouds.
Use only vertical strokes with the no. 24 badger flat. The colors are darkest along the shoreline and fade out as they come forward to the center of the lake. Avoid painting over the sky reflections and distant hill reflections in the water. Step 13: Place Reflected Colors in Water Place the orange, red, yellow, and light green reflection colors in the water directly underneath the trees of those colors. Use the same colors you used to paint the foliage and keep your strokes vertical. Again, avoid painting over the pink and blue sky reflections in the near foreground of the water.
Along the shoreline of the banks at right, use Naples Yellow for the reflections of the grass colors in the water. indd 60 2/21/08 4:29:17 PM Step 14: Blend Reflections To begin blending the reflected colors in the lake water, use the flat side of a clean no. 24 badger flat and only horizontal motions with very light pressure. Blend outward from the lightest colors into the darker colors, wiping your brush on a paper towel after every stroke to keep the colors clean. Using a clean, dry (no moisture in the brush at all) badger flat, turn the brush to the chisel edge and indicate some horizontal lines of water movement and fine ripples that reflect the orange foliage.