
By Graham Holderness
"Shakespeare and Venice" is the 1st publication size learn to explain and chronicle the mythology of Venice that used to be formulated within the center a while and has endured in fiction and picture to the current day. Graham Holderness focuses in particular on how that mythology was once hired by way of Shakespeare to discover subject matters of conversion, swap, and metamorphosis.
Identifying and outlining the fabrics having to do with Venice which would were on hand to Shakespeare, Holderness presents a whole ancient account of prior and current Venetian myths and of the city's dating with either Judaism and Islam. Holderness additionally presents particular readings of either The service provider of Venice and of Othello opposed to those legendary and historic dimensions and concludes with dialogue of Venice's relevance to either the trendy global and to the previous.
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Extra resources for Shakespeare and Venice (Anglo-Italian Renaissance Studies)
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And ed. Mark R. Cohen (Princeton: Princeton University Press), p. 280. 26 Senate decree of 2 June 1541, Chambers and Pullan, Venice, p. 344. 27 Shylock speaks of buying diamonds in Frankfurt. Although able to lend the money Bassanio asks for, he has to resort to a fellow Jew to raise the sum in cash. 28 Kitsch, ‘Shylock’s Sacred Nation’, p. 142. Jew and Moor 37 usurious in form). The difference is similar to that between a bank loan, on which you pay interest from the moment the agreement is signed, and borrowing on a credit card, where interest become payable only after the repayment date has passed.
Jewish identity became entangled in that same geography of repression … the space of repression became incorporated into their own sense of their community. (p. 231) 41 Sennett, Flesh and Stone, p. 215. , pp. 215–16. Strangely, Sennett has nothing to say of Jewish purity laws and prohibitions on contact with Gentiles. 42 Jew and Moor 41 Here subversion is always contained: anything positive that could be seen as emerging from the Ghetto, any signs of an independent Jewish culture, would be for Sennett merely symptoms of a forced accommodation, in which the Jews ‘internalized the oppressor in making community out of a space of oppression’ (p.
Coryate marvelled at the ‘concourse and meeting of so many distinct and sundry nations’, ‘Polonians, Slauonians, Persians, Grecians, Turks, Iews, Christians of all the famousest regions of Christendome’. 50 Many, said Contareno, ‘exceedingly admired the wonderful 47 Chambers and Pullan, Venice, pp. 95–7. Thomas, History, p. 72. 49 Moryson, Itinerary, p. 82. 50 Coryate, Crudities, p. 175. ‘Barbarous ethnics’ would be natives from Barbary, or North Africa – probably Moors like Othello. Coryate divides the globe into ‘Christian and Ethnicke worlds’, p.