By Raymond Powell
Booklet by means of Powell, Raymond
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Extra resources for Shakespeare and the Critics’ Debate: A Guide for Students
Sample text
We know in addition how a contemporary audience must have reacted to his plays. 4. e. by watching them, as far as we can, through the eyes of Shakespeare's original audience. 1. For a long time our sense of what the sixteenth century thought in political matters was conditioned by notions of the 'Elizabethan world picture', a phrase which has passed into common currency following the enormously influential book of that title by E. M. W. Tillyard. The world picture was one which placed a supreme value on Order or Degree, a hierarchical ordering of the cosmos with God at its highest level and inanimate matter at its lowest.
The final way by which the love he and his companions feel is made to appear less than genuine and heartfelt is in their preparations for the masque of the Muscovites, which, as Boyet reports it, seem no more than the prelude to an elaborate joke: Another with his finger and his thumb Cried 'Via! we will do't, come what will come'. The third he caper'd and cried 'All goes well'. The fourth turn'd on his toe, and down he fell. With that they all did tumble on the ground. (v ii 111-5) We can hardly blame the Princess for her conclusion, 'They do it but in mocking merriment' (1.
2. We then know what Shakespeare himself must have thought. 3. We know in addition how a contemporary audience must have reacted to his plays. 4. e. by watching them, as far as we can, through the eyes of Shakespeare's original audience. 1. For a long time our sense of what the sixteenth century thought in political matters was conditioned by notions of the 'Elizabethan world picture', a phrase which has passed into common currency following the enormously influential book of that title by E. M.