By Colta Ives
Nineteenth-century French and English work, drawings and oil sketches - works by way of such artists as Courbet, Constable, Delacroix, Gericault, Corot, Rousseau, Conture and Daubigny - are awarded during this ebook, a documentation of a few of the holdings of Karen B. Cohen, a famous manhattan collector.
Read Online or Download Romanticism and the School of Nature: Nineteenth-century Paintings, Drawings and Oil Sketches from the Collection of Karen B.Cohen PDF
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Extra resources for Romanticism and the School of Nature: Nineteenth-century Paintings, Drawings and Oil Sketches from the Collection of Karen B.Cohen
Sample text
008-039 8-8-79 8/30/08 3:46 AM Page 38 200204034(1) REGENT F&W:PAINT ALONG WITH JERRY YARNELL 5-PAINTING ADVENTURES (Whh) P38 Your imagination plays a vital role in creating a good composite sketch. Even when you have reference photos for most of the objects, you will have to use your imagina- tion for some things, such as rock formations, land contour, shadows and negative space for good eye flow. Color scheme, value and atmospheric conditions determine these factors as you compose the painting.
13 Add Miscellaneous Details Really have fun with this step. Add the taller weeds throughout the clumps of grass with a no. 4 script liner and an inky mixture of Ultramarine Blue and Burnt Sienna. At the same time, add miscellaneous dead bushes to act as eye stoppers on each side of the scene. Add the fence and the dead pine trees in the background. Add any other details that you’d like to the church as well. 052-061 8-8-79 8/30/08 4:06 AM Page 61 ) P60 200204034(1) REGENT F&W:PAINT ALONG WITH JERRY YARNELL 5-PAINTING ADVENTURES (Whh) P61 14 Add Final Highlights Dab in highlights on the pine trees and block in the moon with a no.
4 flat bristle brush. You don’t need any detail here; just suggest the forms. Also make sure you have good negative space around the trees. 6 Underpaint Snow Make a mixture of Ultramarine Blue, touches of Burnt Sienna and Dioxazine Purple and just enough Titanium White (gesso) to make a rich, purple gray. Underpaint the entire foreground with a no. 10 flat bristle brush. Make sure you cover the canvas well. 052-061 8-8-79 8/30/08 4:04 AM Page 57 ) P56 200204034(1) REGENT F&W:PAINT ALONG WITH JERRY YARNELL 5-PAINTING ADVENTURES (Whh) P57 7 Add Snow to Pine Trees Dab snow on the pine trees to give them form with a no.