By Roz Kaveney
The 1st version of Reading the Vampire Slayer was hugely praised in either the fan journal SFX and the Times Literary Supplement. This moment version is highly revised and multiplied to hide the 6th and 7th seasons of Buffy and the 3rd and fourth seasons of Angel. It comprises chapters at the dating among Buffy and the lovelorn vampire Spike and at the thematic constitution of Angel, in addition to interviews at the writing of Buffy with scriptwriters Jane Espenson and Steven DeKnight. person chapters were up to date and the worthy episode consultant is improved to hide all seven seasons of Buffy and the 4 seasons of Angel, as is Roz Kaveney's basic advent to the scenes and constructions of every season.
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Extra resources for Reading the Vampire Slayer: The Complete, Unofficial Guide to 'Buffy' and 'Angel' (Reading Contemporary Television)
Sample text
He stands and he takes all the pain she hits him with and eventually she collapses in his arms and cries. This is the first point since Tara’s death when she has cried; her eyes have gone red and black; she has assaulted gods and killed humans and summoned demons, but she has not cried. Tears are a part of adult sorrow, which is why pseudoadult traditional masculinity suppresses them, because tears can be dried and sorrow moved on from. Xander saves the world by telling Willow the exact truth about his feelings – earlier in the season, Xander has betrayed his own best self by remaining silent.
4), Anya suggests that Buffy start charging for her services and claims that Spiderman does – Xander confirms that this is not the case, preferring truth to his beloved. Unlike the 34 reading the vampire slayer other two, Warren is at least logical in his perception that villainy means murderousness – Jonathan and Andrew aspire only to the prankster aspects of comic-book villainy, which is to say that they fail to read comics with due care and attention. In a show which is itself part of popular culture, the portrayal of those who would consume it keenly is here subtle and nuanced.
Before that, though, her grief takes the form of trying to end the world, its pain and her own. Suicide is, it needs to be pointed out, often an adolescent act. Throughout the season, Buffy has been trying to kill herself, either literally, by jumping off Glory’s tower a second time and by dancing herself into spontaneous combustion, or metaphorically, by accepting a reality in which she is mad but loved by Joyce over one in which she has friends and adult responsibilities. Evil Willow points out to both Buffy and Dawn that their constant moaning about their lives means they are ill-equipped to talk her out of universal destruction – and she has a point.