By Jerry Yarnell
In studying Composition, Jerry Yarnell is helping you achieve new degrees of creative services. within, he presents insightful, easy-to-follow directions for development powerful compositions - the type of dynamic designs that would make your work pop!
Drawing upon greater than thirty years of portray and educating event, Jerry information 3 sorts of composition, the rules of excellent layout, the right kind use of damaging area and extra. Seven beautiful, step by step portray tasks illustrate every one suggestion in action.
From stunning log cabins and mountain peaks to rocky roads and windmills, Jerry makes it effortless to extend your talents and self assurance. seize your brush and paints and start this present day!
Read Online or Download Paint Along with Jerry Yarnell Volume 6: Learning Composition PDF
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Additional info for Paint Along with Jerry Yarnell Volume 6: Learning Composition
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4 flat sable brush to add a reflective highlight to the left side of the tree. Mix Ultramarine Blue, Dioxazine Purple and Titanium White and drybrush the back side of the tree. For this last step, remember to accentuate the L-shape in the composition. C O U N T RY G E TAWAY 53 1371_1_Text_P54_65_4C 8/20/08 20:40 Page 54 LRG08081371_001 LPP (SU) P54 PRAIRIE RELIC 16" x 20" (41cm x 51cm) 54 L E A R N I N G C O M P O S I T I O N 1371_1_Text_P54_65_4C 8/20/08 20:40 Page 55 LRG08081371_001 LPP (SU) P55 Prairie Relic Here, we have another L-shape composition.
Suggest small bushes and distant flowers with light, quick brushstrokes. Scatter the highlights throughout the middle ground. 50 L E A R N I N G C O M P O S I T I O N 1371_1_Text_P42_53_4C 8/20/08 20:38 Page 51 SU) P50 LRG08081371_001 LPP (SU) P51 16 Highlight Tree Mix Titanium White with a hint of Cadmium Orange. Paint the bark with short vertical brushstrokes with a no. 4 flat sable brush. Enhance the texture even more by allowing some of the background to show through. Don’t add too many highlights.
2 soft vine charcoal. At this stage you need to be very accurate with the lines of the windmill. A ruler or a yard stick may come in handy here. If you have a hard time sketching directly on the canvas, you may want to sketch the windmill on a sketchpad and then transfer the drawing to the canvas with graphite paper. P R A I R I E R E L I C 59 1371_1_Text_P54_65_4C 8/20/08 20:40 Page 60 LRG08081371_001 LPP (SU) P60 9 Underpaint Rocks Paint the many small rocks scattered throughout the middle and foreground with a no.