By E. A. J. Honigmann
Myriad-minded Shakespeare introduces readers to the good number of methods to Shakespeare. The political and sexist implications of the performs, their assets, staging matters, textual disputes and the dramatist's personality and biography are all analysed right here, bringing out the interconnectedness of severe questions. Ernst Honigmann plunges immediately into his matters and indicates that it's hardly secure to hunt options which are narrowly particular. For the second one version a brand new preface locations the essays within the context of modern severe debate and a brand new bankruptcy on Shakespeare's will offers a desirable perception into Shakespeare's autonomous spirit.
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Additional resources for Myriad-minded Shakespeare: Essays on the tragedies, problem comedies and Shakespeare the man
Example text
41) Cassius covers his face before Pindarus stabs him, and no doubt Brutus also does so before his death, exactly repeating Caesar's gesture as described by Antony Then burst his mighty heart; And in his mantle muffling up his face, 'Julius Caesar' 41 Even at the base of Pompey's statua, Which all the while ran blood, great Caesar fell. 186) History repeats itself, since Caesar was in effect responsible for Pompey's death, and dies 'at the base of Pompey's statua'; then Brutus and Cassius kill Caesar, and later kill themselves with the same swords, and, it seems, with the very same dying gesture.
Why do you cross me in this exigent? OCTAVIUS. I do not cross you; but I will do so. 16) ANTONY. Shakespeare's thesis, that sheer will-power is the decisive political factor and overcomes almost all opposition, surfaces in many ways. Nor stony tower, nor walls of beaten brass, Nor airless dungeon, nor strong links of iron, Can be retentive to the strength of spirit .... 93) Brutus's interview with Portia is another example. It begins as quiet pleading, and ends as a fearful clash of wills, when Portia discloses the 'great gash' in her thigh.
Thou hast misconstrued everything! 84) It is a line that reaches into all parts of the play, wonderfully right about Cassius, and equally relevant to Caesar, Brutus and Antony, the play's leading politicians Alas! thou hast misconstrued everything! It is a magical if one-sided summing-up line for this cynical play, but, I have to admit it, it is also a slightly unfortunate summingup line at the end of a lecture. ' With these words J. Dover Wilson embarked upon one of the most influential studies of Hamlet of the present century (What Happens in 'Hamlet', Cambridge, 1935), and within a few pages indicated how the politics of the play strike deep into its moral structure: 'Hamlet was the rightful heir to the throne and Claudius a usurper', and 'usurpation is one of the main factors in the plot'.