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Donna M. Kurtz. ” Greek Vases in the J. Paul Getty Museum 2 (Malibu: J. Paul Getty Museum, 1985), 237-50; Neer, “Beazley,” 12-13. 64 he notes corrections by Dietrich von Bothmer. 102 103 Whitley, “Beazley,” 43-4; Dark Ages 14. 104 Whitley, “Beazley,” 45-6. This idea apparently has its roots in Whitley’s belief that his own specialty, the art and archaeology of the Greek Dark Ages, is regarded as merely an inferior precursor by scholars of Classical art and archaeology. 105 Neer, Pampoikilos, 7.
Römische Mitteilungen 27 (1912): 286-97, especially 291 ff. 27 Beazley “Villa Giulia” 294. 28 J. D. ” JHS 42 (1922): 80-81. D. Beazley, Attic Red-Figure Vase-Painters 2d ed. 8. 30 London: British Museum E278, ARV 31 Beazley “Citharoedus” 82-83. 2; Para 347; Add 2 199. 32 J. D. Beazley, Attic Red-Figure Vases in American Collections. ): Harvard Univ. Press, 1918), v-vi. 33 Thirty-some egrapsen or egraphsen (‘HJUDSVHQHJUDIVHQ and about fifty epoisen (HSRLHVHQ), signatures are known; see ARV 2 1553-58, and Thomas H.
55, Add 2 164; the potter’s name, [&DF@UX>OL@RQHSRLHL, is written in the tondo. 58 Beazley, American vi. 59 Beazley, American v. 60 Robertson, AVCA 6. 61 James Whitley, Style and Society in Dark Age Greece. (Cambridge: Univ. Press, 1991) 16. 62 Descriptions of the work of the famous 4th c. painter Gu Kaizi (whose works survive in later copies) cite earlier texts on painting scholarship. These painting studies grew out of the even-more ancient Chinese connoisseurship of calligraphy. 39 63 See W.