By Delphi Classics
This is often the 1st quantity of a brand new sequence of guides via Delphi Classics, the best-selling writer of classical works. a primary of its variety in electronic print, the ‘Masters of Art’ sequence permits electronic readers to discover the works of the world’s maximum artists in accomplished element. This quantity provides the genius of Leonardo da Vinci, the world's maximum painter, in appealing aspect, with concise introductions and the standard Delphi bonus material.
Features:
* the total work of Leonardo da Vinci
* contains formerly misplaced works, with annotations
* concise introductions to the work and different works, giving helpful contextual information
* examine the secrets and techniques of the MONA LISA, the historical past of THE final SUPPER or the which means in the back of THE VITRUVIAN MAN
* attractive 'detail' photographs, permitting you to discover Leonardo's masterpieces as if within the gallery
* contains Leonardo’s drawings and his entire notebooks, with plates
* designated feedback part, with essays by way of critics corresponding to Sigmund Freud
* positive factors biographies on Leonardo's existence, together with Vasari's recognized biography
* 1000's of pictures in beautiful color - hugely instructed for Kindle hearth, iPhone, iPad or laptop clients, or as a priceless reference device on conventional Kindles
* up to date with more advantageous photographs and lately attributed works
Please stopover at: www.delphiclassics.com to browse our variety of artwork eBooks
CONTENTS:
The Paintings
TOBIAS AND THE ANGEL
MADONNA OF THE POMEGRANATE
THE MADONNA OF THE CARNATION
THE BAPTISM OF CHRIST
THE ANNUNCIATION
THE BENOIS MADONNA
PORTRAIT OF GINEVRA DE’ BENCI
ST. JEROME within the WILDERNESS
THE ADORATION OF THE MAGI
THE VIRGIN OF THE ROCKS (LOUVRE)
THE VIRGIN OF THE ROCKS (NATIONAL GALLERY)
THE HEAD OF A WOMAN
LITTA MADONNA
LADY WITH AN ERMINE
PORTRAIT OF A MUSICIAN
LA BELLE FERRONNIÈRE
THE final SUPPER
THE MADONNA OF THE YARNWINDER
MONA LISA
THE VIRGIN AND baby WITH ST. ANNE
LEDA AND THE SWAN
ST. JOHN THE BAPTIST
BACCHUS (ST. JOHN THE BAPTIST)
THE conflict OF ANGHIARI
SALVATOR MUNDI
PORTRAIT OF a girl IN PROFILE
MADONNA AND baby WITH ST. JOSEPH
The Drawings
THE VITRUVIAN MAN
THE VIRGIN AND baby WITH ST. ANNE AND ST. JOHN THE BAPTIST
SELF-PORTRAIT
STUDY OF HORSES
OTHER DRAWINGS
The Notebooks
THE NOTEBOOKS OF LEONARDO DA VINCI
THOUGHTS ON paintings AND LIFE
The Criticism
LEONARDO DA VINCI by way of Sigmund Freud
Extract from ‘THE RENAISSANCE’ through Walter Pater
Extract from ‘ESSAYS ON ART’ via A. Clutton-Brock
The Biographies
LIFE OF LEONARDO DA VINCI through Giorgio Vasari
LEONARDO DA VINCI by way of MAURICE W. BROCKWELL
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Extra resources for Masters of Art: Leonardo da Vinci
Sample text
Including doors and windows in the painting can help give the sensation of deeper space. In this painting of my living room, the real subject is the exterior light pouring into the room, bouncing off mirrors, and wrapping around the architecture and objects. I wanted the emphasis to be on how the light changed the colors of the floorboards and created interesting patterns. EXERCISE 17 Choose a corner of your living room that would make a good subject for a painting of interior space. Look for a view that includes a window— or maybe a door that leads into a second room or an exterior space.
The sensation of feeling them before you begin painting can lead to ideas for all the different ways you can apply the paint that wouldn’t come from just looking at the objects. For example, if something feels bumpy, you can apply the paint with thick repetitive dabs of paint to achieve an actual texture that mimics the surface you’re looking at. Eggs and Chives, acrylic and gouache Detail S T I L L L I F E A S L A B O R AT O R Y 35 CHAPTER 3 OBJECTS AS NARRATIVE As we explored in the preceding chapter, the still life is an excellent format for isolating objects or moments in order to focus on something in particular.
The gestation period of the creative process is sometimes the most productive part of painting. The conversations that take place in studios—contemplating ideas with a peer or even talking out loud to yourself while waiting for something to dry—are also a strong component to this narrative. My partner is a seamstress. Her tools are very different from mine, but our process isn’t so dissimilar. For this painting, I wanted to paint a still life in someone else’s workspace and capture this moment of waiting, thinking, and quietly looking.