By Suzanna Danuta Walters
The Sacrament of Separation / The Penance of association: just about moms and Daughters -- From Sacrificial Stella to Maladjusted Mildred: De(class)ifying moms and Daughters -- Father understands most sensible in regards to the girl query: Familial concord and female Containment -- The Turning aspect: moms and Daughters on the start of Second-Wave Feminism -- phrases of Enmeshment: Feminist Discourses of moms and Daughters -- Parting Glances: Feminist photos of moms and Daughters -- Whose existence Is It besides? deadly Retractions within the Backlash Eighties -- past Separation: situated Lives and located stories within the Forties movie Now, Voyager, Bette Davis performs a daughter suffering opposed to her mother's stifling repression. approximately fifty years later, within the Hollywood saga Postcards from the sting, Shirley MacLaine, as a neglectful and bossy mom, inflicts untold mental discomfort on her daughter, performed by way of Meryl Streep. those dramas of clash and the ambivalent fight for separation were critical to well known photos of moms and daughters within the final half-century within the U.S. Walters boldly demanding situations those dichotomies and proposes an leading edge and multilayered knowing of the cultural development of the mother/daughter relationship.In a dialogue of renowned media starting from issues of maternal martyrdom to maternal malevolence, Walters indicates that seeing that global struggle II, mainstream tradition has in most cases represented the mother/daughter courting as one in every of unending clash and hence promoted an "ideology of separation" as essential to the daughter's emancipation and adulthood. This ideological stream is put in a social context of the anti-woman backlash of the early post-war interval and the renewed anti-feminism of the Reagan and Bush years.Walters makes use of exceptions to mainstream imagery-films equivalent to A Tree Grows in Brooklyn, tv indicates like "Maude," novels just like the pleasure good fortune Club-to supply proof of other traditions and paradigms. well timed and vividly argued, Lives Together/Worlds aside makes an excellent contribution to discussions of pop culture and feminism
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Extra resources for Lives together/worlds apart : mothers and daughters in popular culture
Example text
Johnny did. But I couldn't do no different. " Later she continues to express this double bind as she is in the throes of labor and speaks at random about her life: "Who'll cry for me like that if I died. . I never did a wrong thing in my life but it ain't enough. . Oh, Sissy, I didn't mean to be hard like you ― 65 ― said. . If Johnny was here he could go to your graduation and I'd go to Neely's but I . . I can't tear myself into two pieces . . " The reunion of mother and daughter is not a simple matter of hugging, kissing, and bittersweet tears.
Francie's adoration of her father is an Electra complex gone overboard: she enacts scenes with him that are completely inappropriate to their relationship as father and daughter. In one scene that sets the tone for their relationship, Francie rushes to the door as her father comes home, and they proceed to create a mise-enscène of husband and wife (he even comes up behind her and kisses her) as she caters to his domestic needs ("I love to iron for you, Papa"). He gives her his fervent "things are going to be different one day—you won't have to iron for me" speech, which he should be giving to his wife.
I should've had time. Johnny did. But I couldn't do no different. " Later she continues to express this double bind as she is in the throes of labor and speaks at random about her life: "Who'll cry for me like that if I died. . I never did a wrong thing in my life but it ain't enough. . Oh, Sissy, I didn't mean to be hard like you ― 65 ― said. . If Johnny was here he could go to your graduation and I'd go to Neely's but I . . I can't tear myself into two pieces . . " The reunion of mother and daughter is not a simple matter of hugging, kissing, and bittersweet tears.