By Lida E. Quillen, Anne K. Edwards
Twenty authors inform striking tales concerning the efforts that went into writing their first publication. a listing of contents. Christine Amsden - "My Million phrases of Crap" Darrell Bain - "The tale at the back of The puppy Plague" Bob Boan - "How I got here to put in writing Bobby turns into Bob" Mayra Calvani - "Tips on Writing Your First Novel" D Jason Cooper - "Understanding Numerology" Lee Denning - "Two Beginnings" Susan Goldsmith - "How I Wrote Abithica" Ginger Hanson - "Ten classes I realized from Writing Quest for Vengeance" Toby Fesler Heathcotte - "The Manuscript from a Mystifying resource" Darby Karchut - "Wings" Linda Langwith - "The Serendipity issue" Aaron Lazar - "The Writing of Double Fort?" Celia A. Leaman - "Writing Mary's baby" Beverly Stowe McClure - "How I Wrote Shadows at the desolate tract" Gerald generators - "How I Wrote No position for Gods" Erica Miner - "How I Wrote Travels With My fanatics" Stephanie Osborn - "How a Rocket Scientist turns into a author" Bob wealthy - "How I got here to write down Novels" Dorothy Skarles - "Tales of Intrigue, experience and studying" Dan Starr - "A answer and a Seed: Novel Writing as starting to be a Crystal"
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Extra info for How I Wrote My First Book: The Story Behind the Story
Sample text
That was when Touch of Fate was truly born, I think. I’ve always felt that things are more real when they have names, which was why I named both of my children long before they were born. When Touch of Fate was Title Unknown, it was easy to dismiss it as a sort of writing exercise with vague, nebulous possibilities but no real substance. With a title in mind, I could go on to have mock interviews in my head. ) Interviewer: So, tell me what made you decide to write Touch of Fate? Me: Well, you see, it was a combination of a lot of things going on in my life at the time and everything leading up to it.
The writer might skip a step now and then, but the basic story is the same from book to book. Only the characters and the environment are different. If a writer has a successful formula, he or she will be well rewarded after achieving some notoriety. My other reading pet peeve is I expect, no-I demand-authors get their science right. A writer should stick to the bounds of well-understood physics. I might cut a science fiction author a little more slack in such a case because they normally take the time to explain the physical anomaly.
Once again, I was haunted by a desire to know whether I, a mere meager mortal, could write stories on the level of the authors of my past let alone Mark Twain and Jane Austen. I sat down and started outlining several potential books, paying close attention to the well-known and well-worn advice to write about something you know. I tried writing several books with little success over the next few years. I found work was getting in the way. I needed extended uninterrupted periods of time to accomplish any writing; I was already using much of my available time to prepare technical articles and presentations.