By Mark A. Fabrizi (eds.)
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New York, NY: Random House. Campbell, J. (1949). The hero with a thousand faces. New York, NY: Pantheon Books. Eddings, D. (1982). Pawn of prophecy. New York, NY: Del Rey. Flewelling, L. & Ruddell, G. (1996). Luck in the shadows. New York, NY: Bantam Books. Hajela, D. (2001, December 16). Tolkien’s runaway success launched high fantasy genre. The Journal Gazette, 4E. Gennis, S. (2014). Supernatural has a queerbaiting problem that needs to stop. TV Guide. com/news/supernatural-queerbaiting-destiel-1089286/ Goodreads.
Arha asks Sparrowhawk to show her a wizardly illusion. He warns her that illusions are tricky, and “‘if you believe them, they’ll frighten you, and you may wish to kill me if fear makes you angry. And if you disbelieve them, you’ll see them as only lies and foolery … and so I forfeit my life again’” (p. 125). Instead of presenting his teachings as fact to be obeyed, as her religious teachers have done, Sparrowhawk encourages her to be a critical learner. He admits that his teachings will be an illusion, but proposes that they might also convey truths.
Escaping punishment should provide any normal child with a sense of relief; yet Arha’s role as priestess is not a privilege but a doom. Even though she goes unpunished, she retreats untouched alone to her “dark house” (Le Guin, 1970, p. 32). The demands of the superego are shown in the lecture Arha receives from her stern teacher, “‘It is not fitting that you be seen climbing and running with other girls … It is better that you only do what is needful for you to do’” (p. 30). The word “needful” is especially fitting, communicating to Arha that the pleasures of childhood—the pleasures of the id—do not contribute to her role as priestess.