The Hidden Author: An Interpretation of Petronius's by Gian Biagio Conte

By Gian Biagio Conte

The Satyricon of Petronius, a comic book novel written within the first century A.D., is known this day essentially for its extraordinary ceremonial dinner story, "Trimalchio's Feast." yet this episode is just one a part of the bigger photo of existence in the course of Nero's rule provided within the paintings. during this obtainable dialogue of Petronius's masterful use of parody, Gian Biagio Conte deals an interpretation of the Satyricon as a complete. He combines the scholarly precision of shut studying with an important, unique theoretical model.At the guts of his interpretation, Conte finds the means of the "hidden writer" that Petronius employs on the cost of his characters, specifically the teller of the tale, Enclopius. via final hidden open air the narrative, Petronius invitations the reader to grin on the folies de grandeur that ensue in a tradition of students and declaimers. but as Conte indicates, at the back of the parody and inexhaustible humor of the Satyricon lies an suddenly severe lament. For these acquainted with the Satyricon, in addition to for brand spanking new readers, Conte's booklet can be a competent, stress-free advisor to the wonders the Satyricon includes.

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Extra resources for The Hidden Author: An Interpretation of Petronius's Satyricon (Sather Classical Lectures)

Sample text

One can descry in the background, I believe, the outlines of the intellectual life of the early Empire. I may to some extent have been subject to a professional vice. My many years of studying poetic texts that adopt a high register have convinced me that the literary sublimeeven if it is mediated in this case by the indirect language of parodyis an important key to an understanding of the Satyricon. " As will become apparent, this volume aims to achieve unity out of opposing forces, since the two aspects are complementary; they are, in fact, held together by a vigorous dialectic that dominates the whole text, supports it and coherently builds it up.

I have not set myself the wearying task of trying to construct tables of correspondence, to find out how Gérard Genette, Mieke Bal or Jaap Litvelt would have expressed the same idea. Naturally, each one would have found a different, and more complex, way of expressing it, and the terminology would have multiplied out of control. I was afraid that even in the attempt to rid myself of what was superfluous, I would be confronting a Lernaean Hydra: every "instance of focalization'' amputated might result in two more threatening instances.

The reader cannot help adopting the bona mens, that common sense which is so often invoked in the Satyricon as the significant missing element. I have described as the "hidden author" the implied self-image that Petronius creates as author of his text. The ideal reader too, by forming exactly this image of the author, that is by agreeing to it, takes shape in the text as a set of values in opposition to those of Encolpius and closer to normality. By making faces as it were behind the narration of Encolpius, the author first ensures that the protagonist and narrator reveals himself and his own naïveté and then leaves him without the protective illusions that the narrator has constructed for himself: in this way he secures for himself the reader's conniving response.

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