
By Coppélia Kahn
Within the first full-length learn of Shakespeare's Roman performs, Copp?lia Kahn brings to those texts a startling, severe point of view which interrogates the gender ideologies lurking at the back of 'Roman virtue'. performs featured comprise: * Titus Andronicus * Julius Caesar * Antony and Cleopatra * Coriolanus * Cymbeline atmosphere the Roman works within the twin context of the preferred theatre and Renaissance humanism, the writer identifies new resources which she analyzes from a historicised feminist point of view. Roman Shakespeare is written in an available variety and may attract students and scholars of Shakespeare and people attracted to feminist thought, in addition to classicists.
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