
By Aeschylus, Sophocles, Euripides
In An Oresteia, the classicist Anne Carson combines 3 varied types of the tragedy of the home of Atreus ― A iskhylos' Agamemnon, Sophokles' Elektra and Euripides' Orestes. After the homicide of her daughter Iphigeneia by way of her husband, Agamemnon, Klytaimestra exacts a mother's revenge, murdering Agamemnon and his mistress, Kassandra. Displeased with Klytaimestra's activities, Apollo calls on her son, Orestes, to avenge his father's demise with the aid of his sister Elektra. finally, Orestes is pushed mad via the Furies for his bloody betrayal of family members. Condemned to loss of life through the folks of Argos, he and Elektra needs to justify their activities ― or flout society, justice and the gods.
Carson's translation combines modern language with the conventional buildings and rhetoric of Greek tragedy, establishing up this historic story of vengeance to a contemporary viewers and revealing the basic wit and morbidity of the unique performs.
Read or Download An Oresteia: Agamemnon by Aiskhylos; Elektra by Sophokles; Orestes by Euripides PDF
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Extra info for An Oresteia: Agamemnon by Aiskhylos; Elektra by Sophokles; Orestes by Euripides
Sample text
In her spare time, she held conferences with writers to address the early stages of their work, went to lunch at the Dorset Café or Sardi’s with producers to discuss options, attended staged readings of her clients’ plays, and saw new plays by playwrights in need of agents. Despite years of theatergoing, Audrey operated largely on instinct and intuition—“a green light flashing in her head”—as she called her moments of inspiration when deciding to take on a playwright’s script. She frequently explained to interviewers that she could pick up a new script by an author whose work was unfamiliar, and within the first ten pages or so, she usually knew whether or not she was reading the work of someone with talent.
33 During preparations for the December opening of A Streetcar Named Desire, Audrey’s workload for her client was intensified by a regional production of Summer and Smoke at Margo Jones’s theater-in-the-round in Dallas. 34 Praised by friends, fans, and show business people, Margo Jones wanted to produce and direct Summer and Smoke for Broadway. 35 Williams had promised his friend that she could also direct the play and he kept his word. Ten months after the successful arrival on Broadway of A Streetcar Named Desire, Summer and Smoke received a chilly critical reception at the Music Box Theatre.
The obstacles to the interfaith marriage were, namely, Liebling’s Jewish heritage and Ida Wood’s devotion to the Lutheran Church. The couple was determined to marry first and deal with their parents later. On February 12, 1938, they stood before a justice of the peace in Armonk, New York, and once back in Manhattan, continued to live apart. Liebling sequestered Audrey’s ring and the marriage license in his hotel room. After three weeks of this arrangement, Audrey was determined to change the situation.